Entertainment Industry
Entertainment
Questions
When entertainment infrastructure moves on-chain, who controls the relationship between artists and audiences — the platform, the protocol, or the community?
- Ticketing is the first named sub-industry here — which other entertainment segments (music rights, live streaming, gaming) have the strongest case for DePIN or tokenized ownership models?
- NFTs gave creators a royalty layer but secondary market enforcement proved fragile — what protocol-level mechanism would make creator royalties enforceable without relying on platform goodwill?
- The incumbent entertainment industry captures value through distribution monopolies — which chokepoint is weakest: ticketing, rights licensing, or discovery algorithms?